Еврейская невеста
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Автор |
Рембрандт
(1606–1669) |
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Альтернатив исемдәр |
Rembrandt van Rijn, имя при рождении: Rembrandt Harmenszoon van Rijn, Rembrandt Harmensz. van Rijn |
Тасуирлама |
Североголландский художник, художник книги (printmaker) һәм рисовальщик |
Тыуған/вафат булған көнө |
15 июль 1606 |
4 октябрь 1669 |
Тыуған/вафат булған урыны |
Лейден |
Амстердам |
Ижад йылдары |
с около 1625 до, примерно, 1669 date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1625-00-00T00:00:00Z/9,P1326,+1669-00-00T00:00:00Z/9,P1480,Q5727902 |
Ижад итеү урыны |
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Норматив контроль |
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artist QS:P170,Q5598 |
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Исем |
Portrait of a Couple as Isaac and Rebecca, known as ‘The Jewish bride’ |
Тип |
картина |
Жанр |
портрет |
Изображённые персоны |
Исаак |
Көнө |
между 1662 и 1666 date QS:P571,+1662-00-00T00:00:00Z/8,P1319,+1662-00-00T00:00:00Z/9,P1326,+1666-00-00T00:00:00Z/9 |
Мөхит |
масло, холст medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Дәүмәлдәр |
бейеклек: 121,5 см; киңлек: 166,5 см dimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 |
Коллекцияләре |
Рейксмюсеум
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Оригинальное название |
Rijksmuseum Amsterdam |
Местонахождение |
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Координаты |
52° 21′ 36″ с. ш., 4° 53′ 07″ в. д. |
Дата основания |
1800 |
Сайт |
rijksmuseum.nl |
Норматив контроль |
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institution QS:P195,Q190804 |
Хәҙерге урыны |
Gallery of Honour |
Инвентарь номеры |
SK-C-216 |
Place of creation |
Амстердам |
История владения (происхождения) |
к 1825 date QS:P,+1825-00-00T00:00:00Z/7,P1326,+1825-00-00T00:00:00Z/9 : Vaillant (Вероятно Christiaan Everhard Vaillant (1746-1829)), Амстердам
1825: приобретена John Smith (арт-дилер), Лондон, у Vaillant, Amsterdam за 5000 NLG
с 2 май 1828 по 3 май 1828date QS:P,+1828-05-00T00:00:00Z/10,P580,+1828-05-02T00:00:00Z/11,P582,+1828-05-03T00:00:00Z/11 : выставлена на распродаже коллекции John Smith на Stanley, Лондон, лот № 67,, за 420 GBP (as ‘Lot 67. Rembrandt. Jephthah and his Daughter. The judge of Israel, in compliance with his rash vow, is about to sacrifice his only child. The parties, according to modern notions, appear to be habited rather for the matrimonial than the sacrificial altar, for their dresses are of rich stuffs, and silks of great brilliancy, and the lady is adorned with pearls and jewels; but this is strictly in accordance with ancient custom. Rembrandt, however inelegant in his forms, is generally correct in his adaptations; no painter whatever tells his story with more thruth; no painter whatever has found a nearer way to the understanding. Instead of the cold common-place of covering the father's face with a robe or a veil to hide his grief, he has representing him with joyous countenance, mingled with affectionate regard, congratulating his daughter on the transit she is about to make, and, as far as human nature will permit, exhibiting signs of satisfaction that he has the fortitude to accomplish his vow. His daughter stands the willing as well as the devoted victim: oriental custom commanded andenforced obedience; and, in her case, piety and filial affection rendered obedience easy. This capital picture, painted in the artist's best time, is from the Collection of Monsieur Vaillant, of Amsterdam.’)
июль 1833 (?): приобретена Albertus Brondgeest у Smith для Adriaan van der Hoop (1778-1854), Amsterdam за 6825 NLG
1854: bequeathed to the city of Amsterdam, Инвентарный номер SA 8292, by Adriaan van der Hoop, Amsterdam
30 июнь 1885: lent to the Рейксмюсеум Амстердам, Amsterdam, Инвентарный номер SK-C-216, by the city of Amsterdam
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Exhibition history |
Rembrandt. Schilderijen bijeengebracht ter gelegenheid van de inhuldiging van Hare Majesteit Koningin Wilhelmina, Stedelijk Museum, Амстердам, 8 сентябрь 1898–ноябрь 1898, кат. no. 119.
Rembrandt tentoonstelling ter plechtige herdenking van het 300-jarig bestaan der Universiteit van Amsterdam, Rijksmuseum, Amsterdam, 11 июнь 1932–4 сентябрь 1932, кат. no. 40.
Rembrandt Tentoonstelling. Ter herdenking van de geboorte van Rembrandt op 15 juli 1606, Rijksmuseum, Амстердам, 18 май 1956–5 август 1956, Museum Boijmans Van Beuningen, Роттердам, 8 август 1956–21 октябрь 1956, OCLC 15659340, кат. no. 96.
Rembrandt 1669/1969, Rijksmuseum, Amsterdam, 13 сентябрь 1969–30 ноябрь 1969, кат. no. 22.
Rembrandt-Caravaggio, 24 февраль 2006–18 июнь 2006, Van Gogh Museum, Амстердам, Cat.no. 29.
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Яҙмалар |
Подпись һәм көнө внизу справа:
Rembrandt f. 16[..]
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Иҫкәрмәләр |
Анонимный авторUnknown author, Rijksmuseum Amsterdam online catalogue, as Isaac and Rebecca, Known as ‘The Jewish Bride’, около 1665 date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 -около 1669date QS:P,+1669-00-00T00:00:00Z/9,P1480,Q5727902 , бейеклек: 121,5 см; киңлек: 166,5 смdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
Анонимный авторUnknown author, Amsterdam Museum collectie online, as Portrait of a couple as figures from the Old Testament, known as ‘The Jewish bride’, 1655-1675, бейеклек: 121,5 см; киңлек: 166,5 смdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728 .
Анонимный авторUnknown author, RKDimages, Art-work number 3068, as Portrait of a couple as Isaac and Rebecca, 1662-1666, бейеклек: 121,6 см; киңлек: 166,4 смdimensions QS:P2048,121.6U174728 dimensions QS:P2049,166.4U174728
Анонимный авторUnknown author, Bildindex der Kunst und Architektur, object 20186112, как Das Brautpaar (Die Judenbraut), после 1665date QS:P,+1665-00-00T00:00:00Z/7,P1319,+1665-00-00T00:00:00Z/9 , бейеклек: 121,5 см; киңлек: 166,5 смdimensions QS:P2048,121.5U174728 dimensions QS:P2049,166.5U174728
Анонимный авторUnknown author, Web Gallery of Art, как The Jewish Bride, около 1665date QS:P,+1665-00-00T00:00:00Z/9,P1480,Q5727902 , бейеклек: 122 см; киңлек: 167 смdimensions QS:P2048,122U174728 dimensions QS:P2049,167U174728 .
Domenicus-van Soest, Marleen (2003) Les Chefs-d'oeuvre. Guide [mus.cat.], [Amsterdam]: Rijksmuseum Amsterdam, p. 108, as Isaac et Rébecca ou « La Fiancée Juive ». |
Норматив контроль |
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Сығанаҡ/Фотограф |
www.rijksmuseum.nl : Home : Info |
Башҡа өлгөләр |
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